雇佣狙击手2
760
9.0
正片
雇佣狙击手2
9.0
更新时间:03月15日 01:48
主演:柯宾·伯恩森,尼亚·佩雷斯,伊安·崔西,苏吉·凯塞尔,RussHamilton
简介:故事梗概: 哈里森·卡尔是名畅销小说作家。在他的《深蓝色谋杀》开始签名售书时,卡尔遇到了前所未有的麻烦,一个自称“武士”的忠实书迷不仅要走卡尔的亲笔签名,还以各种方式胁迫卡尔帮助他出版一本旨在唤醒全美国民众社会责任的、以谋杀和强奸为主要题材的小说。 卡尔生性浪漫多情。对于“武士”无孔不入无处不在地提醒,卡尔起初并不在意。但是当两名涉嫌强奸却因证据不足逃脱法律制裁的男子先后毙命后,卡尔开始发觉事情远没有那么简单,因为每一次命案发生后,卡尔总是第一个得到“武士”的通知,然后才叫来警察。 为摆脱“武士”的耍弄、同时阻止类似的谋杀再次发生,卡尔找莉姬小姐帮忙。莉姬有着非常专业的刑侦水准和非凡的手脚功夫。根据先前发生的两起命案,莉姬通过查阅本地区连续两年来发生的23起强奸案发现,被“武士”杀害的两名男子有着一个相同的特点,就是涉嫌强奸犯罪却逃脱法律的制裁。 莉姬推测出“武士”下一个即将谋杀的对象名叫塞尔维后,与卡尔分头走访23起强奸案的受害人家属。走访中,一个名叫马修·斯坦丁的受害人家属痛苦的记忆引起莉姬的同情。为引“武士”露面,卡尔的前妻萨伦出主意,让卡尔做一期电视采访节目。采访中,卡尔推测“武士”有性功能障碍的谈话激怒“武士”,因此差点让萨伦丧命。 萨伦的主意没有取得预期的效果,莉姬利用提前释放强奸犯塔利斯坦,导演一场好戏又让“武士”看出破绽,参与“演戏”的一名警察因此负伤。卡尔采取的行动彻底激怒“武士”,“武士”将卡尔约到教堂的忏悔室,警告卡尔从此不要轻举妄动,集中精力写完旨在唤醒美国民众的小说。 一切努力似乎都没有结果。此时,一个意外的机会让卡尔想起一个受害人家属马修·斯坦丁。经过排查,确认马修就是躲在暗处的“武士”。卡尔带着莉姬在没有通知警察的前提下,来到马修工作的广告公司。一场短暂的生命较量后,马修带着巨大的心灵痛苦跳楼自杀。回到正常生活状态的卡尔,突然觉得马修的小说值得一写。 精彩视点: 本片是1996年出品的一部电视作品,情节曲折、构思精巧,引人入胜。影片以谋杀、复仇、动作、刑侦为故事元素,推进故事发展的则是一个无辜的美国畅销小说作家。随着剧情的演绎发展,幕后真凶现出原身,美国社会普遍的民众心理,和宣扬大美国文化的主题创作思想随着显现。 本片创作阵容虽然不能与好莱坞大牌导演、大牌明星比肩,但影片中主人公“哈里森·卡尔”的扮演者卡特·本森可以说是当时美国电视荧屏上的红星。卡特·本森那种放浪不羁自然挥洒的表演风格,让观众在充满仇杀的刑侦推理电视作品中,依稀还能感受到轻喜剧的味道。

5913
1996
雇佣狙击手2
主演:柯宾·伯恩森,尼亚·佩雷斯,伊安·崔西,苏吉·凯塞尔,RussHamilton
镜子的另一面:纽波特民歌艺术节1963~1965
274
9.0
正片
镜子的另一面:纽波特民歌艺术节1963~1965
9.0
更新时间:03月15日 02:03
主演:BobDylan,JoanBaez,JudyCollins
简介:"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
2988
0
镜子的另一面:纽波特民歌艺术节1963~1965
主演:BobDylan,JoanBaez,JudyCollins
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